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First Draft done
The first draft of Ed Morgan's Ride is finished.  It'll go into the box for a month or two, then I'll bring it out and work it over and see if anyone wants it  It was worth any amount of angst to move it from my heart and brain to the page. 

I got my first professional check today--a $40 comp from Capricon.  I put a Xerox of it above my desk to remind me on dark nights that I am worth something.  Damn, that reminds me, I need to talk to the folks at Duck and Denvention to see how much I can get in front of people at those cons.  Cheron and I are going to talk with everyone else tonight about maybe going to Marcon, too.

We'll see.

Oh, yeah, the other thing:  They finalized my pension and I'm getting $244 more per month after taxes than I was originally.  Just put the check in the bank and we should get $1200 of our stolen money back from the Feds next week.  Worldcon's taken care of.

TC



 

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Off to a good start

I got 1700 words of the Red Molly story done tonight--the entire first scene as a matter of fact.

It's joyous compared to the painful chore of rewriting.  Marcey suggested I take a break for a few days and write something new that's been on the back burner for months, wating.  She was right.

TC

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Current Location: ManCave
Current Mood: grateful

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The War of the Adverbs

Cross-posted in Urbanagora...

Today was my second marathon editing session for Hell-Bound Train.  The day began with helpful comments from a friend in the Southern Hemisphere and the evocation of Stephen King, chanting, "The road to hell is paved with adverbs."

Once alerted to the adverbs' presence, I cannot avoid seeing them.  They're laired everywhere within the manuscript--weasels lurking to pop out and slow down the action or muddy my descriptions.  Mentally, I throw my hands into the air, hyperventilate, and run around my desk like Kermit the Frog before a Muppet Show.  "Ah, ah, ah, AH," I realize I am yelling out loud.  My cat, Mitzi, jumps from the desk and stares at me as if I had transformed into an inhuman monster.

I lift my pen like Tony Perkins in Psycho and begin stabbing at the adverbs.  Almost, suddenly, nearly, closely--they all fall before my onslaught.  There are ls and ys flying to either side of me as they're excised.  I realize that in the early days of my Urbanagora content, I used those words to shield me, to enable me to equivocate or retreat from an untenable position if a critic attacked.  I don't need them anymore, by God.

Now it's passive voice that's everywhere.  These columns sound like goddamn lab reports.  Slash, rewrite, annotate, cross out entire redundant paragraphs.  Pant, pant.  One entire piece goes in the trash--not worth saving.

My word babies crawl from beneath the wreckage of a demolished essay on polygamy, mewling like kittens calling for their mother.  They stop to lick remnants of the blood and gore of murdered language from their fur.  They stare up at me, wide-eyed, and ask, "Is it over?  Is it safe to come out now?"

"Very soon, my darlings," I reassure them.

I've made progress. Nine more weeks of this to go.

,

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Current Location: ManCave
Current Mood: hungry
Current Music: the humming of Sean's new box

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Well, I Didn't Expect This!

I recently became enamored of the character of Red Molly from Richard Thompson's 1952 Vincent Black Lightning.  The song is about a young outlaw who robbed enough to buy the mentioned motorcycle and then fell in love with a fire-haired woman in black leather.

Here's a webpage with a video of Thompson singing the song.

In any case, after I heard the song on the radio, I began thinking of Red Molly as a pooka, fond of leading bikers on wild rides.  I sent him an email the other day, asking him if I could use his character in a story.  He wrote back and said:

Hello Tom,

Thanks for writing. You are welcome to use the character's name and/
or likeness in the story without permission
(from the record company), as long as you're not
quoting directly from
 (the) lyrics...

Best regards,

The Beekeeper

Wow, just wow.  I mean, like, this guy sang with Sandy Dennis in Freeport Convention.  He's one of the greatest (and most underappreciated) folk-rockers of all time.  He's a British Dylan.

Goddamn.  In any case, the story will come out in the next couple months.  I didn't really expect permission, so I haven't plotted much of it yet.  Way too late to put it in the book, even though it is a sequel to one of the Margee and Jerry stories--Maxwell's Gremlin.

TC 

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Current Location: ManCave
Current Mood: ecstatic
Current Music: 1952 Vincent Black Lightning, Richard Thompson

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First Draft--Finished?
Finished the last piece, a Tonica story about my father and his experiences in WW2 and how they impacted my life.  

I did a word count and the book's going to be over 92,000 words.  I'm not sure if this is a lot or not.  In any case, it's about 40% fiction, 15% memoirs and the rest either speculation or commentary.  Twenty-five percent of the material has not been published anywhere previously.  I had hoped for a bit more, but sooner or later you have to stop fooling around and start polishing the material you have written.

It'll be tough getting it all ready to submit by the first of April, but I'll do my best to meet the deadline I set last November.

TC

  

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Current Mood: excited
Current Music: manic humming to myself

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Desert Wind is Done!!!

At least the first draft.  It's the third Margee and Jerry story--the second in line chronologically--and flowed like water from my fingertips.  I didn't really even have to outline it.  It came together right after New Year's Eve and stayed crystallized until I finished the other stories that were distracting me.

This means that I have one more essay to finish and then edit the Urbanagora articles that are going in and it'll be ready to go.  Yippee!

TC

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90-degree turn
I'm about five or six thousand words into the new Titan story and I'm going to have to shelve it for a while, if not forever.  As it is now, there's not a sympathetic character in the piece--one megalomanic, three snivelling lackies and two decent people with huge tragic flaws.  Just not suitable material--it might be saved by a complete rewrite, but I don't have the patience right now to do that.  And, on top of that, it's boooooring.

However, fear not.  I had a suddent burst of inspiration last night while sitting in the car waiting for Marcey, came home, sat down and wrote the following short-short in 80 minutes.  It's a Valentine's Day card for the wives (and they loved it.)


The Very Lonely Girl

 

            Once upon a time, in a village far away, there lived a very lonely girl.  She would lean her chin on her hands in the evening and watch the young lovers of the village pass through her garden hand-in-hand.  She would wave to the young men as they passed by on their way to study or war, but few would wave back, and even those did so half-heartedly.  Finally, in a cloud of despair, she asked the Turtledove what she should do, figuring that the bird knew much of love.

            “Why don’t you climb the path up the mountainside and ask the women who live there?  It is said that they have all of the knowledge of the world.”

            The girl decided to do just that, so the next morning she put on her travelling clothes.  She tied a red scarf to the end of a stick to make a bindle which would hold all that she’d need for the journey, threw the stick over her shoulder and headed out of her door.

              The path out of the village sloped gently up the hills heading to the mountains.  After she had travelled all morning, she came to a lovely house of polished wood.

            She knocked on the door and a woman answered.  The woman didn’t look very much older than the lonely girl, to tell the truth, but her blue eyes hinted at more than one lifetime.  She led the lonely girl into the inside of the house and sat down at her desk, which had several scrolls next to an inkwell with a goose feather pen in it.

            “Why did you knock on my door?” the blonde scribe said.

            “I am a very lonely girl and I do not know what to do.”

            “There are many things written about love and loneliness.”  The scribe opened a door to a room that led off beneath the mountainside.  “Everything you see here in the library speaks of such things.”

            The lonely girl stared.  There must have been thousands, perhaps millions of scrolls carefully wrapped with ribbon and placed, each in its own cubbyhole.  The far side of the room vanished in the distance, too far to see.

            The blonde scribe walked to a cubbyhole, checked the number at the top and handed it to the lonely girl.  “You can borrow this.  Use it as needed, but make sure you return it.”  She gave the lonely girl honeyed milk and little sandwiches and sent her on her way.

            It got very hot in the afternoon, so the lonely girl took off her wrap and put it in her bindle.  The path was getting steeper and she was both tired and thirsty when she came to a cottage set on a flat spot on the mountainside.  A fresh mountain stream bounced down from the top of the mountain, crossed the path beneath a stone bridge and tumbled down toward the village.  The lonely girl could see the streets and pathways of her village far below like lines on a map.

            She knocked on the door and a woman answered.  A plump woman with rosy cheeks and long brown hair stood in the doorway and blinked at her.  Within the cottage, a cooking fire burned in the fireplace with a stewpot bubbling above it.  The strange woman motioned her to come in, then sat down at her loom and began to move the shuttle.

            “Why did you knock on my door?” the housewife asked.

            “I am a very lonely girl and I do not know what to do.”

            “I remember being lonely once.  Then I had my children and I no longer had time to be lonely.”

            “How many children did you have?”

            The round woman stopped for a moment and sat completely still, counting in her head.  The lonely girl waited several minutes and, just as she thought that the woman had fallen asleep, the woman answered her, “All of them,” and began working the treadle and shuttle once more.

            The lonely girl’s eyes filled with tears at the thought of that much love.  The weaving woman noticed and nodded her head slowly.  “Behind my house is a garden.  Take that pouch on the table and fill it with the herbs that smell like mint.  Put it in your bindle and take it with you.”

            The lonely girl walked out of the door and looked behind the house.  It seemed as if there was one of every kind of herb that she had ever seen and many, many more that she had not.  The garden stretched off into the distance, filling a mountain valley that faded into mists.  Once she had the pouch filled, she returned to the cottage to thank the woman.  The weaver was just sitting down to supper, so she filled the lonely girl with savory hot stew and warm bread and butter and sent her on her way.

            The sun set and there was more than a little chill in the air.  The full moon rose, giving just enough light to keep the lonely girl from tripping on the nearly vertical pathway.  It was fortunate that it was wide, for the drop over the side would surely have killed her.

            At the top of the mountain, there was a hut made of rough logs.  Had there not been a light visible through the window, she would have thought that it was abandoned.  Ravens circled far above the house and owls hooted from the bare trees in the yard.

            She knocked on the door and a woman answered.  She was gray-haired and her face had lines, but she was smiling up at the lonely girl.  An inviting hearth had logs burning on it and the woman had a cup and saucer of fine china sitting on her table.  A Tarot deck was next to the saucer, and four cards had already been drawn.

            “Why did you knock on my door?” the wise woman asked.

            “I am a very lonely girl and I don’t know what to do.”

            “You know, granddaughter, I live here on the mountaintop and young people come to see me.  They want me to make magic potions so that their beaux will not wander or philters to place beneath their pillows so that they can dream about their true loves.  I do as they bid, and then they leave, without asking for the wisdom to use what they have bought from me.  Would you like to draw a card?”

            The lonely girl nodded and reached for the deck.  The wise woman stopped her hand for a moment and looked directly into her eyes.  “You know, granddaughter, that this is not a game.”  The lonely girl nodded again after a moment’s hesitation and pulled the top card from the deck and turned it over on the table.

            “Number 8—Strength.”  On the front of the card, a woman with a garland of flowers was holding the mouth of a lion.  “It’s also called Fortitude, and in some decks, it’s called Lust.  This is a very auspicious night for you.”

            The wise woman stepped to the cabinets lining her wall.  She opened a dusty one and removed arcane instruments, creams, and lotions and felt around at its very back.  She pulled out a key on a ribbon and blew the dust from it.

            “You’ll need this, I daresay,” and handed it to the lonely girl.  The lonely girl put the ribbon around her neck and tucked the key into her bosom.  She yawned, for it had been a long journey.

            The wise woman made up a feather bed for the lonely girl and not long after her head hit the pillow, the lonely girl was dreaming a deep, dreamless sleep.  The next morning, as the sun rose over the peaks of the mountains, the wise woman waved at the lonely girl and sent her on her way.

            Going down the mountain was much easier than climbing it.  She pondered the events of the day before, but thought it best that she go straight home without stopping at the other cottages again.  By the time she got back to the village, it was late afternoon.

            There was no one on the streets, no one in the shops, and no one in their gardens.  It was as if the entire village had stolen away during the night.  She searched up and down and could not find anyone stirring at all.  Finally, as she passed the fishmonger’s, he opened his shutters a crack and said, “Hsst.  Over here.”

            “Where has everyone gone?” said the lonely girl.

            “A huge lion has come to the village and has driven us all to find shelter.  The last I heard, it was pacing back and forth in the town square roaring and beating the air with its paws.”

            The lonely girl thought back to the card drawn last night and said, “I’ll go see if I can do anything.”

            She carefully approached the town square.  Even before she arrived, she could hear the lion’s roars echoing from the stone walls of the houses and shops.  She stood at the mouth of an alley and watched the lion walk around the fountain in the center of the square.  It would pace for a while, then stop and roar a challenge at the buildings surrounding it.  “Whatever can I do?” she thought to herself.

            “Maybe the scroll has something to say.”  She reached into her bindle and pulled out the scroll.  The ribbon was tied in a complicated knot, so she held it in her teeth and pulled until it came apart.  She held the scroll in front of her and unrolled it.

            GIVE THE LION WHAT IT NEEDS was written on it.

            She re-rolled the scroll and carefully put it back in her bindle.  Very slowly, step by step, she crept into the center of the town square, looking like a mouse approaching the milkmaid’s cat.  About half-way there, she realized that the herb in her pouch smelled a lot like catnip.  She pulled the pouch from her bindle, opened it and tossed it next to the lion where it spilled out a pile of fragrant leaves.

            The lion sniffed at the leaves, then stopped pacing and roaring.  The lonely girl stepped into the square and asked, “Why are you roaring and pacing in the town square?”

            “I am angry and don’t know what to do.  I am going to eat the people of the village unless they give me what I want.”

            “And what is that, o lion?”

            “I want a human heart.  It is said that within it dwell the secrets of the world and they must be mine.  Perhaps then I can find what I need to know to settle my mind.”

            The lonely girl pulled the key from her bosom and looked it over in her hand.  Then, she placed the key within the keyhole on her chest and turned it halfway.  She reached inside, pulled out her heart and offered it to the lion.

            As she fell to her knees, her breath stopped short in her throat, she saw the lion transform.  Now a handsome man, he reached for the heart and took it from her weakening hand.  Her head nodded onto her chest.

            The lion-man looked at the heart for a second, but realized that there was no time to spare.  He pulled the key from the dying lonely girl’s hand and opened his chest as well.  He pulled his racing heart from his chest, put it in the lonely girl’s and closed it up quickly.  He placed hers in his chest and did the same.  He knelt on the cobblestones of the village square and lifted her chin.  The color rose in her cheeks as she stared into his eyes, lonely no more.

TC

  

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Kittencon Status Report

We had a discussion last night, and it looks like Kittencon will April 4-6 this year.  It's Lady Cheron's seventh wedding anniversary with the Borg and it is also likely to be either immediately before or after the release of Riding the Hell-Bound Train.  As always, it is also an opportunity to worship the lovely blonde wife.  We aren't expecting to have a guest of honor, but I will probably take an hour and do readings from the book in the commons on Saturday night.

We're expecting at least three of the folks that we met at the Heinlein Centennial to attend, so there will be new friends for you to meet.  We'd love to see each and every one of you, of course.  I hope that this long notice will help you with your scheduling this year.  We made damn sure that it won't conflict with Mom's Day weekend at the University or Easter, but if you're looking to make hotel reservations, it's always best to make them early and then cancel if you can't make it.

Cheron's going to help me with The Cockroach Fairy.  I was hoping to have the fairy speak only in iambic pentameter like a Shakepeare character, but worry since I haven't had my poetic license renewed in some time and am afraid I can't pass the written part of the test.  We'll see how this works out.

Last two weeks at work.  I have minor things to do, but they are absolutely necessary.  Must not let 'Net distract me.

TC


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Current Location: office
Current Mood: pensive
Current Music: Dogs--Pink Floyd

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Brain on Fire
 Man, I've got it bad.  Definitely in middle of manic phase.  That's ok, getting creative blasts out of virtually random pieces of input.

Had a conversation with my co-worker, Lauren, about exterminators and suddenly had a burst of light inside my brain:

Estimated length:  6000-7000 words

Working Title:  The Cockroach Fairy--A Christmas Story

Opening premise--Cleaning-Type OCD college professor finds a cockroach in her briefcase.  She screams and smashes it with a paperweight.  When she lifts the weapon afterwards, she finds that she's seriously wounded a fairy.

Got a two-page outline finished over the lunch hour.

If it's going to be as good as I think it is, it'll be a book exclusive.

TC

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Current Mood: hyper
Current Music: WBZ Boston, Hillary HQ hostage news coverage

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Finished "Lost Calico"

It's my third short story and by far the hardest to put to paper, since it wasn't SF but--I'm not quite sure what it is, you'll be able to decide for yourself tonight.  The gestation period was very, very short, less than three minutes from first concept to complete plot, an hour to outline (two notebook pages.)

Actual writing took about six hours for 7000 words.  Had to quit after the first 4000 from exhaustion and got stuck making the transition from the mundane to the not.  Obviously, I got unstuck.

Having troubles with the printer at home--it seems to be out of alignment on every fourth line.  Ran out of ink, too, just as I printed my first hardcopy.  We'll have to look into that.  I'm getting used to Windows 2007, but it is incompatible with the earlier versions.  This means that I can't transfer works in progress from one computer to another.  It also means it's harder to send friends finished stories as attachments, since they can't open them easily.

In any case, when I get home tonight, I'll upload it to the WordPress site that kitten's established for my fiction and link to it from LiveJournal.  I hope you enjoy it.

TC

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Current Mood: drained
Current Music: The Moody Blues--Om from In Search of the Lost Chord